Wistman's Wood

Wistman's Wood are a new trio named after a patch of primeval oak woodland on Dartmoor. These seven tracks are the first fruits of their labour. Recorded by Jim Moray with all the clarity it deserves there is a seamless merging of past and present.

These three Devonians are undeniably qualified for the task. Steve Turner's accordion can be heard in the Eelgrinders and as a duo with Helena Torpy. Andy Clarke's has long been a stalwart of the South Devon folk scene. Now his voice, bouzouki and guitar playing are gaining him a reputation further afield. Finally Jackie Oates is quickly becoming a prolific artist in demand in equal measures for her singing and viola.

This mini-album has life affirming qualities. The mix of instruments and obvious love of music these musicians have ensnare the listener. Steve who also adds his mixing skills to the project, has penned two originals. A journalist's job is already done with titles such as 'Being On Chagford Allotments On A May Morning.' No need to ask for origins of inspiration here. Along with 'Coleford March' we're off journeying across Dartmoor ourselves, rising and falling with the landscape.

'Mormond Braes' is nestled between these instrumentals. Shortly after featuring on Jackie's debut album it's a surprise to see it here again. People will never tire of this Scottish ballad though with renditions like these. Broken love never sounded so tender.

Next up Andy's audacious playing is well suited to 'Bold Reynard'. His voice narrates the tale with aplomb. The group then jigs and soars on 'Enfield Wash/Horses never smile' after which 'La Petite Baigneuse' makes it mark in a stately fashion. Coupled with it is the album's surprise turn. Jackie has studied a Norwegian trad tune 'The Boy In The Mountain' with the help of a friend from that neck of the woods. The Language (yes she sings in Norwegian) and melody are fitting for her diffident yet self-assured approach. It works as a gentle come down with a soupcon of otherworldly eerieness.

Things are rounded off with a Helena Torpy number. Steve's accordion is back front and centre reminding us of how diverse this group is.

Just like the wood there's plenty of magical enchantment. It's music in a pure form devoid of pretension but full of artistry. There's already talk of a full album for next year. Bring it on!

Dave Kushar